Photoshop, 11” x 11”. Digital illustration of classic summer foods, created to elicit a sense of nostalgia and warmth.

Illustrator, 17.25” x 11.85”. Digital illustration of my memories of the Sierra Nevadas. Paper-like texture and whimsical colors add to the childish, youthful feel.

Illustrator, 20” x 20”. Digital illustration of a man blending into the wilderness. Welcoming gestures invite the viewer into the natural world.

Cut paper, colored pencil, iMovie. Experimental stop-motion animation about a princess discovering some of the many beauties in life.

Adobe Illustrator, 12”x12” triptych. Lowercase letters from 5 different fonts fill a square, flowing nearly seamlessly throughout.

Photoshop, 5.25” x 1”. Designed to be one part of a larger assembly of tarot cards. I wanted to follow a childish, playground-esq theme with the shapes and colors.

Procreate, Adobe AfterEffects. A looping animation of a (very pleasant) purple pigeon flying over a town. Each element is comprised of a few stop motion animations, that together form a town.

Cut paper, acrylic paint, iMovie. Loop animation of a person getting stuck in goo, and having to make new shoes. Made out of various art projects from throughout the term as a final culmination of my work freshman year.

Adobe Illustrator. 5 faces illustrated solely out of keyboard characters. Each face uses one font throughout.

Processing, Adobe Illustrator. Java-based coding written in Processing to generate random landscapes I created in Illustrator. Different buttons change various elements in the scene, and a mouse click randomizes the locations of everything.

Sewn with a tarp, yoga mat, ripstop, and netting. Complete with water bottle pockets, laptop sleeve, shoulder strap buckle, and various front pockets,

Procreate, Adobe AfterEffects. Created for Sprankenstein studios, illustrated and animated creatures for each letter, number, and character of the alphabet.

Processing. Java-based code lets the user draw using a randomly changing color, surrounded by scattered smaller dots. Clicking allows the user to change the radius of the smaller dot locations and the color of the pen.

Photoshop, 11” x 8.5” each. Each is a different way of representing a virtual ‘glitch’ in the real world. A complimentary color palette was used throughout, with two different colors applied to each composition.

InDesign, 11” x 17”. Two-page spread for the American Chamber of Commerce NSW.